Crawford, Jason. Allegory and enchantment : an early modern poetics

Folger bibliographic ID: 351486
Folger call number: PR535.A4 C73 2017
Folger holdings ID: 500105

Allegory and Enchantment" is about the genealogies of modernity, and about the lingering power of some of the cultural forms against which modernity defines itself: religion, magic, the sacramental, the medieval. Jason Crawford explores the emergence of modernity by investigating the early modern poetics of allegorical narrative, a literary form that many modern writers have taken to be paradigmatically medieval. In four of the most substantial allegorical narratives produced in early modern England-William Langland's Piers Plowman, John Skelton's The Bowge of Courte, Edmund Spenser's The Faerie Queene, and John Bunyan's The Pilgrim's Progress-allegory is intimately linked with a self-conscious modernity, and with what many commentators have, in the last century, called 'the disenchantment of the world.' The makers of these early modern narratives themselves take a keen interest in metaphors and postures of disenchantment. They fashion themselves as skeptics, spell-breakers, prophets against false institutions and false belief. And they often regard their own allegorical forms as another dangerous enchantment, a residue of the medieval past they have set out to renounce

Edition

First edition

General notes

Allegory and Enchantment" is about the genealogies of modernity, and about the lingering power of some of the cultural forms against which modernity defines itself: religion, magic, the sacramental, the medieval. Jason Crawford explores the emergence of modernity by investigating the early modern poetics of allegorical narrative, a literary form that many modern writers have taken to be paradigmatically medieval. In four of the most substantial allegorical narratives produced in early modern England-William Langland's Piers Plowman, John Skelton's The Bowge of Courte, Edmund Spenser's The Faerie Queene, and John Bunyan's The Pilgrim's Progress-allegory is intimately linked with a self-conscious modernity, and with what many commentators have, in the last century, called 'the disenchantment of the world.' The makers of these early modern narratives themselves take a keen interest in metaphors and postures of disenchantment. They fashion themselves as skeptics, spell-breakers, prophets against false institutions and false belief. And they often regard their own allegorical forms as another dangerous enchantment, a residue of the medieval past they have set out to renounce Includes bibliographical references and index

Extended title: Allegory and enchantment : an early modern poetics / Jason Crawford

English literature Allegory

author: Crawford, Jason