Musicology and difference gender and sexuality in music scholarship

Folger bibliographic ID: 268802
Folger call number: For access, follow the Linked Resources hyperlink (NOTE: Access restricted by licensing agreements)
Folger holdings ID: 354816

General notes

Includes bibliographical references and index Electronic text and image data. Ann Arbor, Mich. : University of Michigan, MPublishing, 2009. Includes both TIFF files and keyword searchable text. ([ACLS Humanities E-Book]) Mode of access: Intranet

Contents

Gender and other dualities of music history -- Difference and power in music -- Loving it : music and criticism in Roland Barthes -- Charles Ives and gender ideology -- Ethnomusicologist as midwife -- Women as musicians : a question of class -- Miriam sings her song -- Lesbian fugue -- Reading as an opera queen -- Schwarze Gredel and the engendered minor mode in Mozart's operas -- Opera -- Britten's dream -- Of women, music, and power : a model from Seicento Florence -- Carnaval, cross-dressing, and the woman in the mirror -- Narrative agendas in "absolute" music : identity and difference in Brahms's Third Symphony

Extended title: Musicology and difference gender and sexuality in music scholarship / edited by Ruth A. Solie

Sex in music Music Musicology

associated with: Solie, Ruth A
associated with: American Council of Learned Societies