The woodcut in fifteenth-century Europe

Folger bibliographic ID: 263351
Folger call number: NE1142 .W66 2009
Folger holdings ID: 348798

General notes

"Proceedings of the symposium 'The Woodcut in Fifteenth-Century Europe,' organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and sponsored by the Samuel H. Kress Foundation in honor of Franklin D. Murphy. The symposium was held November 18-19, 2005, in Washington, D.C."--Title page verso Includes bibliographical references and index

Contents

Picturing Oedipus in the Sion textile / Teresa Nevins -- Prints in the early printing shops / Paul Needham -- Woodcuts for reading: the codicology of fifteenth-century blockbooks and woodcut cycles / Nigel Palmer -- Multiplying the sacred: the fifteenth-century woodcut as reproduction, surrogate, simulation / David. S. Areford -- "In gebeden vnd in bilden geschriben": prints as exemplars of piety and the culture of the copy in fifteenth-century Germany / Jeffrey F. Hamburger -- Two anti-Jewish broadsides from the late fifteenth century / Christine Magin and Falk Eisermann -- A fifteenth-century picture panel from the Dominican monastery of Saint Catherine in Nuremberg / Richard Field -- The early print and the origins of the picture postcard / Peter Schmidt -- Convents as patrons and procedures of woodcuts in the Low Countries around 1500 / Ursula Weekes -- The pigments on hand-colored fifteenth-century relief prints from the collections of the National Gallery of Art and the Germanisches Nationalmuseum / Shelley Fletcher, Lisha Glinsman, and Doris Oltrogge -- Illuminating the print: the use of color in fifteenth-century prints and book illumination / Doris Oltrogge -- Flock prints and paste prints: a technological approach / Alexandra Scheld and Roland Damm

Extended title: The woodcut in fifteenth-century Europe / edited by Peter Parshall
Alternate titles: Woodcut in 15th-century Europe

Wood-engraving, European Art and society

associated with: Parshall, Peter W