Date
Location
Media format
Extent
Language
Size
Genre
Reference IDs
Folger call number: ART Vol. b33 no.120
Folger holdings ID: 344868
Accession Number: cs251
Notes
General notes
All the works by Toedteberg that Folger owns are theatrical portraits copied after rare prints. They are either contained in volumes which were grangerized by Toedteberg or are individual items which were purchased from the sale of Toedteberg's collection. Some of the pieces are signed by him but most are unsigned. All of them, however, at one time passed through his hands and many may have been the work of his pen. They have been grouped together in this file for that reason Artist: Toedteberg was a collector of theatrical prints. He was responsible for inlaying the extra-illustrations into Augustin Daly's copies of the Daly editions of the Shakespeare plays. Many of the original works found in these volumes are after prints and it is hard to tell which of these may have been done by Toedteberg and which by artists working for him Full figure, in green, facing and looking left, holding a hat in the right hand and holding the left hand behind her back. In pencil at bottom of the page 'Lydia Kelly as Viola' Provenance: Item is contained in an extra-illustrated volume of the Daly edition of Twelfth night, as arranged for production at Daly's Theatre, Feb. 21, 1893. The volume was purcahsed by the Folgers from the auction of the Augustin Daly collection held through the American Art Galleries in 1900. According to the sales catalog, item no. 735, the book was inlaid to folio by Augustus Toedteberg and contains watercolor portraits, the portraits being copies of rare prints Subject: The Folger collection has two other copies of this watercolor done in larger proportions and greater detail and labeled 'Lydia Kelly as Rosalind'. A playbill in ART Vol. b24, no.10 notes Miss Kelly as playing the part of Rosalind at the Philadelphia Theatre on Dec. 16, 1826 ('Miss Kelly's 8th night as Rosalind'). Label may be based on Toedteberg's need for a drawing to extra illustrate the volume rather than factual evidence The art collection of the Folger Shakespeare Library includes many volumes of extra illustrated books, several of which formerly belonged to the library of the theatrical manager Augustin Daly. Many of these extra-illustrated volumes were inlaid and organized by Augustus Toedteberg, a professional inlayer and repairer of prints who resided in Brooklyn, N.Y. in the 1870's to 1890's The known facts concerning Toedteberg are few. He was the grangerizer of the Daly copy of Joseph Norton Ireland's Records of the New York stage (a work extended by him from 2 to 33 volumes) and of Daly's souvenir books of his Shakespearean productions (many of which are now in the Folger collection). Toedteberg also published a work, in 1893, entitled Portraits of actors reproduced from rare originals for Augustus Toedteberg. The Folger Library has a few letters in its ms. collection addressed from Toedteberg to Augustin Daly concerning Toedteberg's grangerizing work. His theatrical collection, which consisted of numerous books, prints, drawings, autographs and playbills, was sold at auction by the Anderson Co., New York, 1903-1904 The volumes which Toedteberg grangerized also contain a number of watercolor portraits, copied after rare prints, which are signed by a Victor Moblard who may have been under the employ of Toedteberg. Moblard's style of painting and writing is rather distinct and even where he has not signed his name it is easy to spot his work, In cases where his signature or initials appear, or where the style gives evidence of his work, the item has been entered under his name. In all cases, where known, a subject entry has been given for the original artist of the print from which Moblard was copying. No biographical information has been located on Moblard. The user is referred to records under Moblard, Victor, for additional works from the Toedteberg shop This record contains unverified data from old cards and may contain incorrect or incomplete text. Please consult Curator for assistance Toedteberg's collection of theatrical prints was extensive and it is assumed that he drew on this collection as a resource for his grangerizing endeavors. It appears that he was in the habit of copying, in ink or watercolor, rare prints, or having rare prints copied by others, perhaps when he was able to obtain only one copy of the original print
Also known as
Related names
depiction: Kelly, Lydia, 1795-
former owner: Daly, Augustin, 1838-1899