Date
Location
Netherlands
Media format
Extent
Language
Size
Reference IDs
Folger call number: N6370 .G49 2017
Folger holdings ID: 502230
Summary
Notes
General notes
Includes bibliographical references and index In 'The Globalization of Renaissance Art: A Critical Review', Daniel Savoy assembles an interdisciplinary group of scholars to evaluate the global discourse on early modern European art. Over the course of eleven chapters and a roundtable, the contributors assess the discourse's goal of transcending Eurocentric boundaries, reflecting on the strengths and weaknesses of current terms, methods, theories, and concepts. Although it is clear that the global perspective has exposed the artistic and cultural pluralism of early modern Europe, it is found that more work needs to be done at the epistemological level of Art History as a whole
Contents
Introduction / Daniel Savoy – Part 1 : Global genealogies – A global Florence and its blind spots / Sean Roberts – Otto Kurz’s global vision / Jessica Keating – Part 2 : Beyond Eurocentrism – Decolonizing the global renaissance : a view from the Andes / Ananda Cohen-Aponte – Ranges of response : Asian appropriation of European art and culture / Thomas DaCosta Kaufmann – Part 3 : A borderless Renaissance – Reconsidering the world-system : the agency and material geography of gold / Lauren Jacobi – Linking the Mediterranean : the construction of trading networks in 14th and 15th century Italy / Emanuele Lugli – Cosmopolitan Renaissance : prints in the age of exchange / Stephanie Leitch – The world seen from Venice : representing the Americas in grand-scale wall maps / Elizabeth Horodowich – Part 4 : Instituting the global – Global Renaissance art : classroom, academy, museum, canon / Lia Markey – Zones of indifference / Marie Neil Wolff – The “global turn” in art history : why, when, and how does it matter? / Claire Farago